Professional Red One Cameraman & Red One Owner / Operator for Hire

keefa-chanProfessional Red One Cameraman & Director of Photography (DOP) with over 10 years of extensive experience working in the Broadcast Film & Video Industry. I had been following the progress of the Revolutionary RED ONE Camera System for some time, before finally deciding to make a purchase. Almost all of my professional camera work is now shot on this incredible digital camera.

I have worked in Narrative/Fictional Film Dramas, TV Commercials, Promos, Music Videos, Spots, Idents, Documentaries, ENGs and Corporate Productions. I am always10 years experience striving to bring a friendly and professional attitude combined with very high standard to the field of film & video production. Through my Passion of Cinematography I aim to always deliver the highest quality work for your projects and aim to imbue a truly emotional & visual connection into your commercial film & video productions.

The Red One Camera has the ability to capture images of clarity equal to 35mm Film Cameras and the Visual and Emotional depth of 35mm Film Photography, but without the production costs. If you need a Red One Cameraman or need someone to train your current cameramen to use the Red One get in touch. All my rates are negotiable.

keefa-chanI also have extensive experience with other professional formats, including Panasonic / Sony / Ikegami Digitbeta, SX, HD and am confident working with 35mm or Super-16mm in addition to Standard Definition. I am comfortable working with any format you think is best suited to your commercial film or video project.

I am happy collaborating with Directors and Producers to help deliver their vision and am happy to offer constructive comments in a friendly way. I am always ready to give support and advice to the programme-makers in pre-production, during and post production. I also have the DOP skills to self-direct and am confident in the knowledge that I will supply the right footage you require.

More About The Red Camera.

1 x BNC to DIN 1.0/2.3The RED ONE™ body – designed for flexibility and functionality. Weighing in at 10 lbs, this is a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount, it allows you to take advantage of the world’s finest optics. Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps. RED offers the Mysterium ™ Super 35mm cine sized (24.4×13.7mm) sensor, which provides 4K (up to 30 fps), 3K (up to 60 fps) and 2K (up to 120 fps) capture, and all this with wide dynamic range and color space in 12 bit native red one 4kRAW. At 4K, that’s more than 5 times the amount of information available every second and a vastly superior recording quality. In addition, you get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses. Mysterium ™ boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition. Shoot lightweight EFP style (body around 10 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL™ mounting accessories that “grow” the camera body. Configure for tripod, crane or long lens applications. High-resolution RED LCD and EVF monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE™ body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories… some that haven’t even been dreamed of yet. Choose between the convenience and durability of recording directly to Compact Flash, in-camera, or outputting signal to RED FLASH DRIVE or RED DRIVE (RAID) for even longer recording options.

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